Deadline approaching for The Southern Poetry Anthology, Vol. VII North Carolina

William Wright is one of the editors for this anthology for North Carolina poets. Will taught at Writers Circle this year and his students were very impressed with him. They want him back. You have until January 15. Get those poems in now.

CALL FOR SUBMISSIONS: The Southern Poetry Anthology, Volume VII: North Carolina

DEADLINE:  JANUARY 15, 2014

Editors William Wright, Jesse Graves, and Paul Ruffin now seek submissions for the seventh in our series, The Southern Poetry Anthology, featuring North Carolina poets. The anthology will be published by Texas Review Press in 2014.

SUBMISSION REQUIREMENTS:

Please submit your poems electronically to Series Editor, William Wright, at vercimber@hotmail.com and Jesse Graves, Volume Co-editor at gravesj@mail.etsu.edu. 

Please type "North Carolina Poetry Submission" as your subject heading, then include your first and last names in parentheses. For example: North Carolina Poetry Submission (William Wright). Unfortunately, snail-mail submissions are not an option given the nature of our editing process.

Please include a short cover letter within the text of the e-mail, as well as the names of the poems submitted. Submit a maximum of five poems, and ensure that the poems are sent in .rtf (Rich Text Format), .doc (Word 1997-2003), or .docx (Word 2007, 2010, 2012, etc.) format. Please include all submitted poems in only one attachment (this is important).

All submissions should include a recent bio (up to 150 words) after the poems, on a separate page. Please italicize names of publications.

We welcome both new and previously published work. However, if poems have been previously published, submitters must hold rights to them and provide full publication data (journal and/or book publisher, title of book/journal if applicable, date of publication). Finally, please make sure that each submission includes a preferred e-mail address and street mailing address within the text of the e-mail and on at least one page of the attached submission.

William Wright, Ph.D.

Contributing Editor, Shenandoah

Series Editor, The Southern Poetry Anthology

Founding Editor, Town Creek Poetry

www.towncreekpoetry.com

Will Wright teaches The Sound Textures of Poetry

Will Wright 

The Sound Textures of Poetry

 Saturday, August 10,  10:30 - 1:30 p.m.

Fee $40.00

Location: Writers Circle Studio Hayesville, NC

Full Class for Will Wright's Poetry workshop

Writers Circle hosted Will Wright, poet, editor, and more, from the Atlanta area. We had a full class of poets, some who had never published their work and some with awards and a long history of publications.

The students participated, asked questions and presented wonderful discussion on the sheaf of poems Will gave us to read and talk about.

The young, but experienced poet, had several of his collections with him and also the latest anthology he has published.

I chose his first collection, Dark Orchard, winner of 2005 Texas Review Breakthrough Poetry Contest and Night Field Anecdote, published by Louisiana Literature Press. Both books are acclaimed by outstanding poets and Will is compared with Theadore Roethke and Robert Penn Warren.Wright co-edits an anthology series The Southern Poetry Anthology. 

We will certainly ask Will Wright to come back to Writers Circle next year.

Will Wright will teach poetry at Writers Circle

Call for registration now 404-316-8466 or 828-389-4441 
Registration fee: $30

Will Wright, poet, editor

What makes “good poetry” good?

WritersCircle Saturday, October 13, 10 – 1 pm.  Contact kpaulholmes@gmail.com for information or visit Writers Circle

Will describes his workshop:
 In the overwhelming world of poetry publishing—the innumerable journals and editors, as well as the innumerable poets attempting to publish—it’s often discouraging, even disenchanting, to attempt to figure out how to find one’s way into publication. As an editor myself, a lot of poetry hits my desk from all over the world, and much of it, unfortunately, is little more than lineated prose; that is, there is not much, if any, attention to craft.
There are certain things poets can learn about the craft so that their work is noticed.
I will dedicate half of the WritersCircle meeting to how good poetry works in distinction to lineated prose or “flat” poetry.

The poem needs to be coherent, and it must cater—in some form—to both the heart and the intellect. 
I hope to embolden and encourage poets during this class and to help them identify ways to improve their work and more carefully attune their voice so that they stand out from the crowd. I welcome writers of all levels to join the class and what I hope will be a convivial, helpful conversation.



William Wright, Series Editor and Volume Editor of The Southern Poetry Anthology, is author of five collections of poems: the full-length Night Field Anecdote (Louisiana Literature Press, 2011), Bledsoe (Texas Review Press, 2011), Dark Orchard (Texas Review Press, Winner of the Texas Review Breakthrough Poetry Prize, 2005), and the chapbooks The Ghost Narratives (Finishing Line Press, 2008) and Sleep Paralysis (Winner of the South Carolina Poetry Initiative Prize, 2011, forthcoming from Stepping Stones Press). Wright recently won the Porter Fleming Prize in Poetry.